Erasmus XR IO3 – Case Studies
Polish premiere of VR Self on the Immersion Festival in Warsaw
The School, a world – interactive observation document
In Side – 3D stereoscopic short movie
Subtotals by Mohammadreza Farzad – a meditation on the uncertainties of life
Self – understanding the otherness
Closed Space – immersion in jiutamai dance
The Cave – adaptation of a classical Platonic metaphor
Multiverse – a multi-layered world in VR installation
Endless VR segue – sensual essay about identities in process
Wish You Were Here – an anti-documentary that breaks the rules of VR
Pilot 9/11 – the story about coming out of trauma
Simple Songs about death – a technological meditation on death
Control Negative – the exercise in loss
Dead City – interaktive musical experience
Interactive Narratives and Essay Film Studio at 39. Kasseler Dokfest
Shooting of ‘In Side’ movie wrapped up
World premiere of VR Control Negative at Dok Leipzig
“Deep Dive” at Belfast XR Festival
VR Nightsss presented at The Camera Action Festival
The symposium was held on September 23-24, 2022 at the National Gallery in Athens
Multiplier Event: The art and design of XR
September 2022: training for academic staff on the use of immersion technologies was organized by The National and Kapodistrian University of Athens.
Erasmus XR LTT Activity in Greece
Dead City – an interactive opera experience
Nominations for the Polish Film Institute Award
The Erasmus XR Summer School took place from 11 to 15 July 2022, on the campus in Msida belonging to the University of Malta
Erasmus XR Summer School
New Visual Narratives in Lodz is now over!
Golden Apricot Award for “Subtotals” at GAIFF2022
“Subtotals” at international film festivals
“Subtotals” at IFF New Horizons!
VR ‘Dead City’ during (long) weekend of immersion in the STUDIO
“New Visual Narratives” conference on July 1-3, 2022
Polish premiere of “Subtotals” at MDAG
“Nightsss” at the Kinoteka Polish Film Festival in London
Conference „New Visual Narratives”
Module 1: the future of film?
Module 2: Visual essay and interactive narratives
Module 3: Audience and business models
Katja Schupp – Back to the future – interactive and immersive formats as an opportunity for non-fiction storytelling
Piotr Francuz. Virtual worlds from the evolutionary, neurocognitive, methodological and axiological perspective
Grzegorz Mazurek. Business models in media in the times of digital transformation.
Patrick von Sychowski. Cinema is an experience.
Marta Materska – Samek. Cinematic VR Business Model – A disruptive or a sustaining change?
Geogre Legrady. From hardwired to automation: visual narrative through computation
Roderick Coover. Cinema of immersion, interaction and database
Sara Kolster. To click or not to click?
Kuba Mikurda. An essay in space
Gaëlle Mourre. Do humans still have a monopoly on creativity?
Ludger Pfanz. Space-Time Narratives
Pola Borkiewicz. New XR narrative paradigm
Domna Banakou. Being somebody else: the future of narrative storytelling
Sylvia Rothe. Timeline vs Spaceline
“Subtotals” at Berlinale!
BEHIND THE SCENES: 2021 in the S3D Lab
