XR (&) Education – symposium program
New Visual Narratives | Conference | 1-3.07 Lodz + online
Publab – toward the future of reading (and a standard for web publications)
Erasmus XR IO3 – Case Studies
Polish premiere of VR SELF on the Immersion Festival in Warsaw
The School, a world – interactive observation document
In Side – 3D stereoscopic short movie
Subtotals by Mohammadreza Farzad – a meditation on the uncertainties of life
Self – understanding the otherness
Closed Space – immersion in jiutamai dance
The Cave – adaptation of a classical Platonic metaphor
Multiverse – a multi-layered world in VR installation
Endless VR segue – sensual essay about identities in process
Wish You Were Here – anti-documentary that breaks the rules of VR
Pilot 9/11 – the story about coming out of trauma
Simple Songs about death – a technological meditation on death
Control Negative – the exercise in loss
Dead City – interaktive musical experience
Interactive Narratives and Essay Film Studio at 39. Kasseler Dokfest
Shooting of ‘In Side’ movie wrapped up
World premiere of VR Control Negative at Dok Leipzig
“Deep Dive” at Belfast XR Festival
VR Nightsss presented at The Camera Action Festival
Nominations for the Polish Film Institute Award
New Visual Narratives in Lodz is now over!
Golden Apricot Award for “Subtotals” at GAIFF2022
“Subtotals” at international film festivals
“Subtotals” at IFF New Horizons!
VR ‘Dead City’ during (long) weekend of immersion in the STUDIO
“New Visual Narratives” conference on July 1-3, 2022
Polish premiere of “Subtotals” at MDAG
“Nightsss” at the Kinoteka Polish Film Festival in London
Conference „New Visual Narratives”
Module 1: the future of film?
Module 2: Visual essay and interactive narratives
Module 3: Audience and business models
Katja Schupp – Back to the future – interactive and immersive formats as an opportunity for non-fiction storytelling
Piotr Francuz. Virtual worlds from the evolutionary, neurocognitive, methodological and axiological perspective
Grzegorz Mazurek. Business models in media in the times of digital transformation.
Patrick von Sychowski. Cinema is an experience.
Marta Materska – Samek. Cinematic VR Business Model – A disruptive or a sustaining change?
Geogre Legrady. From hardwired to automation: visual narrative through computation
Roderick Coover. Cinema of immersion, interaction and database
Sara Kolster. To click or not to click?
Kuba Mikurda. An essay in space
Gaëlle Mourre. Do humans still have a monopoly on creativity?
Ludger Pfanz. Space-Time Narratives
Pola Borkiewicz. New XR narrative paradigm
Domna Banakou. Being somebody else: the future of narrative storytelling
Sylvia Rothe. Timeline vs Spaceline
“Subtotals” at Berlinale!
BEHIND THE SCENES: 2021 in the S3D Lab
The film shoot for In Side is underway
S3D Studio at StopTrik IFF
S3D studio halfway through the project
Summer School, Malta, July 2022 – registration
The Essay Film Studio of the Visual Narratives Laboratory vnLab of the Lodz Film School announces a competition for participation in the artistic and research programme in 2021-2022
ErasmusXR kick-off – summary
ErasmusXR – kick-off meeting
Results of the vnLab Interactive Narrative Studio competition for 2021!
New scenography, new world
Chapter 1: Why social pictures?
Why pictures? – art and research project
Research on the Perception of Art Launched
The call for seminars at the vnLab Film Essay Studio has ended
Nightsss/Noccc with an award for the best sound design!
Deep Dive and Nightsss at the goEast festival!
BLAST OF INVISIBLE RELATIONS – a virtual version of Steve Reich’s “Drumming” composition
Nightsss – a sensual VR experience of poetry, dance and nature
Premiere of Nightsss/Noccc at Sundance Film Festival 2021!
Meet the creators of Nightsss!
Nightsss/Noccc in the XRMust database!
Call for applications for the Essay Film Studio at the vnLab of Łódź Film School
The Virtual and Augmented Reality Studio will conduct interdisciplinary artistic and research projects resulting in immersive experiences.
VR/AR Studio
The workshop aims to explore the artistic and dramaturgical possibilities of registering stereoscopic images in "stop motion" techniques.
S3D Studio
The Audience Perception and Research Laboratory will carry out research on participants and creators of culture and other entities of the creative sector (CCI).
The Perception and Audience Research Laboratory
In the Live Experience Studio we carry out research projects: A system for immersive recording of "live VR" events and New forms of performing arts. Their aim is to explore new technologies as a means of communication - creating an immersive stage experience.
Live Experiences Laboratory
The aim of the Film Essay Studio is to radically expand the research workshop, to develop new methodologies and new forms of thinking - thinking with images, sounds and montage.
Essay Film Studio
Laboratory of Interactive Narratives
The Artistic Council at the Visual Narratives Lab plays an advisory role, not only in the process of creating new works at the Lab itself, but most importantly in the process of selecting new participants for our art and research program.
The Artistic Council
On December 16-18, 2019, the Live Experience Studio is planning to record 3 musical performances in VR technology
Live Experience Workshop!
Mieke Bal at the Film Essay Studio
Applications of new media in the activities of creative sector entities and in the decision-making processes of culture recipients
How does a viewer view a painting? How much does it depend on the type of painting and how much on the viewer himself? What influences how we view works of art?
Social determinants of contemporary art perception
The aim of the research team is to answer questions that concern filmmakers for the youngest children about the form, subject matter and impact of film on children aged 4-6 years.
Children’s Audience Research
The aim of the task is to develop standards for working with stereoscopic images in stop-motion productions and adapting them to the needs of dramatic narration in film works, and expand the possibilities of visual expression in S3D works.
S3D Studio
Essay Film Studio – statement
From my point of view – a story about a subjective way of seeing
MEMESIS – an experimental VR experience on the border of game and movie
SELF – a journey into the human psyche
DEAD CITY – an interactive VR and opera experience
Somebody About You – experiencing the body as a medium
Deep Dive – a journey for two around a trauma that must be confronted
BEHIND THE SCENES: Nightsss/Noccc – motion capture rehearsals
BEHIND THE SCENES: Nightsss/Noccc – production/post-production
BEHIND THE SCENES: Nightsss/Noccc – pre-production
BEHIND THE SCENES: Deep Dive – production
BEHIND THE SCENES: Deep Dive – post-production
BEHIND THE SCENES: Deep Dive – pre-production
Results of vnLab competitions for 2020!
Creators interested in creating challenging narrative S3D forms are invited to participate.
Competition for the position of scriptwriter
Creators interested in creating challenging narrative S3D forms are invited to participate.
Competition for the position of stereographer
Creators interested in creating challenging narrative S3D forms are invited to participate.
Competition for the position of director
Laboratory of Interactive Narratives – Open Call
The VR/AR vnLab announces a competition for participation in the studio's art and research program.
VR/AR – Competition
